Added: 2 years ago
Turned out II challenges the practice of painting itself; what constitues a 'painting', and how painting can be made.
In this work, painting's conventional support-the canvas, the wall- becomes'paint', and take centre-stage. Liberated from their physiclally confining roles,they replace paint's role as the active agent, and form the essence of the painting. Also pertinent in this work is my interest with the spatial relations in which the paintings are presented, through activating the space the work is being presented and enlisting them as one of the 'materials'of painting.