 |
by melanie cleary
Photo / Digital Graphics
|
I explored questions of physical identity, beauty and dignity where people literally and figuratively recreated themselves through their ‘performance’ and where their self-presentation created a curious dig... Read all |
|
|
 |
by VALERIE ANEX
Photo / Digital Graphics
|
These houses are lying there empty, in abandoned and isolated areas, waiting for somebody to move in or for someone to finish them.
Bitter memories left by the spectral and temporary nature of the property... Read all |
Jury
|
 |
by VALERIE ANEX
Photo / Digital Graphics
|
GHOST ESTATES (BOOK OF 63 pages)
These houses are lying there empty, in abandoned and isolated areas, waiting for somebody to move in or for someone to finish them.
Bitter memories left by the spectral... Read all |
Jury
|
 |
by Nathan Harger
Photo / Digital Graphics
|
|
Cleveland, OH 2010.
|
Jury
|
 |
by Nathan Harger
Photo / Digital Graphics
|
|
Brooklyn, NY 2010.
|
Jury
|
 |
by Anna Tihanyi
Photo / Digital Graphics
|
|
This series is my personal analogy on the tale Alice in Wonderland, except my character is lost in her own life. Her only clues in the forest of growing up are her balloons, and other childhood attributes.
|
Jury
|
 |
by Jacqueline Tune
Photo / Digital Graphics
|
1 of the series of FOUR A Wintry Drum II, to be seen in ARTWORKS on my Page .
I worked through the winter near my home , obsessed by the ‘bad’ weather and how this affected the land.The moment before wi... Read all |
Jury
|
 |
by Asli Cavusoglu
Photo / Digital Graphics
|
The Demolition of the Russian Monument at Ayestafanos
6 Photographs, 2011
31.5x26.5 cm (each)
After declaring war against Russia in 1914, the Ottoman government decided to demolish the Russian monument... Read all |
Jury
|
 |
by Ernesto Romano
Photo / Digital Graphics
|
This is one of my works about 'complementarity'.
We see an extraordinary correspondence between the man and the statue, and a complementarity of the two heads, the arms, the carried objects, the directions... Read all |
Jury
|
|
