MARGINALIZATION 01 (EMARGINAZIONE 01)
The man has become a prisoner of the Civilisation. The Civilisation is a living organism, a human creation that got out of control. We can't escape it, it is futile to try. Compulsively we are building walls, obstacles, we are hiding from each other and ourselves, we are the ones that are taking away the personal human rights, we are being marginalized. Without even perceiving it, we are isolating ourselves from the rest of the world, even though we live in illusion of a vivid communication. We work in order to earn for living. We live, in order to work, in order to earn for living. Circulus vitiosus. The end of humans begins, thanks to the humans.
This is work is perceived in a very personal level, but is reflecting what might be defined as a global feeling.
Personal experience of working in the office has somewhat started twisting my perception. I have been marginalizing myself, with my free will – from my free will, from the normal, ordinary life and from my own art practice. The result is series of repetitive works, digital prints on Plexiglas, that are supposed to be set up hanging in the gallery space, object that can be faced and observed closely, even touched, objects that are creating obstacles and also objects that, like windows, are letting us see trough them, but letting us see the limited view to another wall. I have started with colour, slowly simplifying it into the monochrome black and white abstract geometrical compositions of the nocturnal views.
This is work is perceived in a very personal level, but is reflecting what might be defined as a global feeling.
Personal experience of working in the office has somewhat started twisting my perception. I have been marginalizing myself, with my free will – from my free will, from the normal, ordinary life and from my own art practice. The result is series of repetitive works, digital prints on Plexiglas, that are supposed to be set up hanging in the gallery space, object that can be faced and observed closely, even touched, objects that are creating obstacles and also objects that, like windows, are letting us see trough them, but letting us see the limited view to another wall. I have started with colour, slowly simplifying it into the monochrome black and white abstract geometrical compositions of the nocturnal views.
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