CICLO VITALE
Maria Grazia Lunghi
Sito: www.mglunghi.it
E-mail: info@mglunghi.it
LIFESPAN
The origin of the painting work is the idea of R03;R03;what you want to express, "mother idea". It even starting from a real situation, image, thought, feeling, pressing to be delivered, you will gradually disintegrating with the elimination of lines and separations constraining to achieve a complex and varied universe, which, while retaining its significant meaning opens up new forms and spaces, and mysterious. We report on the canvas as the already seen, but the ancient knowledge consists of sensations, memories, memories and wisdom of humanity which forms our genetic heritage. It is important to let it all flow freely to give a reading conscious of our present condition of life.
L '"mother idea", the founding artistic work, is released from the reproductive elements and desc<x>riptive of reality and notions of academic discipline, to achieve a synthesis of expression where not everything is said, by creating a universe that retains all while maintaining readability the inextricable whole mystery of life and the world. The user can freely interpret the work and find in it his inner realities that are likely to go beyond the intentions of the artist himself. The work will acquire a life of its own making as a mirror that reflects reality, thoughts, emotions different, enriched with meaning "other", becoming in its way a work of all and for all.
To conclude this creative process, proceeds by canceling conventions and restricted mental structures that we are all prisoners, seeking the key to an interpretation of the origins of free artistic expression.
The work was created in 2012 with acrylic paints, waste materials (scrap metal) and sand on canvas, measuring 100 cm x 100. It creates chaos by mixing materials and colors, then extracted and emphasize the elements that will give all a sense. On the support you have the material and color or no color, its fluidity driven by expressive intentions creates chaotic forms from which are extracted gradually memories, memories and sensations. The primary idea leads us to remove, dig, where the sign has already left an impression, you need to give meaning and significance to the work and the theme on which you are working.
You learn to read the chaos, not to be overwhelmed, even to control it. At the same time confirming its existence both inside and outside of us. It should be read and interpreted, all instances of revolutionary struggles and the demands that press should be made visible. The work stems from an inner urge to express the deep sense of unease in these dark times.
Sito: www.mglunghi.it
E-mail: info@mglunghi.it
LIFESPAN
The origin of the painting work is the idea of R03;R03;what you want to express, "mother idea". It even starting from a real situation, image, thought, feeling, pressing to be delivered, you will gradually disintegrating with the elimination of lines and separations constraining to achieve a complex and varied universe, which, while retaining its significant meaning opens up new forms and spaces, and mysterious. We report on the canvas as the already seen, but the ancient knowledge consists of sensations, memories, memories and wisdom of humanity which forms our genetic heritage. It is important to let it all flow freely to give a reading conscious of our present condition of life.
L '"mother idea", the founding artistic work, is released from the reproductive elements and desc<x>riptive of reality and notions of academic discipline, to achieve a synthesis of expression where not everything is said, by creating a universe that retains all while maintaining readability the inextricable whole mystery of life and the world. The user can freely interpret the work and find in it his inner realities that are likely to go beyond the intentions of the artist himself. The work will acquire a life of its own making as a mirror that reflects reality, thoughts, emotions different, enriched with meaning "other", becoming in its way a work of all and for all.
To conclude this creative process, proceeds by canceling conventions and restricted mental structures that we are all prisoners, seeking the key to an interpretation of the origins of free artistic expression.
The work was created in 2012 with acrylic paints, waste materials (scrap metal) and sand on canvas, measuring 100 cm x 100. It creates chaos by mixing materials and colors, then extracted and emphasize the elements that will give all a sense. On the support you have the material and color or no color, its fluidity driven by expressive intentions creates chaotic forms from which are extracted gradually memories, memories and sensations. The primary idea leads us to remove, dig, where the sign has already left an impression, you need to give meaning and significance to the work and the theme on which you are working.
You learn to read the chaos, not to be overwhelmed, even to control it. At the same time confirming its existence both inside and outside of us. It should be read and interpreted, all instances of revolutionary struggles and the demands that press should be made visible. The work stems from an inner urge to express the deep sense of unease in these dark times.
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