Il CAOS e il CASO (Tra s-figurazione e astrazione)
Il CAOS e il CASO
( TRA S-FIGURAZIONE E ASTRAZIONE )
The proposed project is a new comparison between inner and outer world. The liquid paint slips and slides on the canvas, creating a chaos of forms and colors that evoke abstraction and figuration that is mixed with other matters from time to time. Municipal waste: cans, paper, sand, and tissues ....
Appear tales, journeys, traffic jams of unintended presence alongside those look like MINE buried in the depths of ourselves, ready to explode only if you dig, if only the eye settles, then, when seismic swarms anticipate subsequent upheavals, strong and powerful; distress, shock and finally an explosion of consciousness. We first struck by the astonishing, from stunned amazement.
The slap lasts a moment, consciousness is forever.
We draw all'inaudita power of color and form to break down old structures and stereotypes that prevent us from there and see and move on.
Chaos is inside us, outside us. It's everywhere.
Maria Grazia Lunghi
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The explosion should take place within the artist, the only possible epicenter of an earthquake which, in successive waves, sparse on the ground all the old buildings which house the certainties of a thought uncritically approved and acquired.
This must start from the case and an unconscious gesture that entails, can not be studied at the table.
Be "provocative" is not part of being artists; a slap given cold causes a momentary reaction, not an explosion.
Should be put in the ground deep MINE ideas holds the detonator and the artist, indeed in himself.
Do not paint, rigurgitiamo matter on canvas. Tears and blood and all organic compounds are mixed with sand, the colors, the municipal waste to the necessary illusion of immortality, not of our works, but of ourselves, through our DNA.
The result is an s-figurative works (non-figurative) because traces of humanity remain visible to those who, mercifully, knows the search through the rubble to reassemble them in the coffin of his mind.
Kalòs
(Calogero Carbone)
( TRA S-FIGURAZIONE E ASTRAZIONE )
The proposed project is a new comparison between inner and outer world. The liquid paint slips and slides on the canvas, creating a chaos of forms and colors that evoke abstraction and figuration that is mixed with other matters from time to time. Municipal waste: cans, paper, sand, and tissues ....
Appear tales, journeys, traffic jams of unintended presence alongside those look like MINE buried in the depths of ourselves, ready to explode only if you dig, if only the eye settles, then, when seismic swarms anticipate subsequent upheavals, strong and powerful; distress, shock and finally an explosion of consciousness. We first struck by the astonishing, from stunned amazement.
The slap lasts a moment, consciousness is forever.
We draw all'inaudita power of color and form to break down old structures and stereotypes that prevent us from there and see and move on.
Chaos is inside us, outside us. It's everywhere.
Maria Grazia Lunghi
---
The explosion should take place within the artist, the only possible epicenter of an earthquake which, in successive waves, sparse on the ground all the old buildings which house the certainties of a thought uncritically approved and acquired.
This must start from the case and an unconscious gesture that entails, can not be studied at the table.
Be "provocative" is not part of being artists; a slap given cold causes a momentary reaction, not an explosion.
Should be put in the ground deep MINE ideas holds the detonator and the artist, indeed in himself.
Do not paint, rigurgitiamo matter on canvas. Tears and blood and all organic compounds are mixed with sand, the colors, the municipal waste to the necessary illusion of immortality, not of our works, but of ourselves, through our DNA.
The result is an s-figurative works (non-figurative) because traces of humanity remain visible to those who, mercifully, knows the search through the rubble to reassemble them in the coffin of his mind.
Kalòs
(Calogero Carbone)
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