Casus Belli #2: From Object To Deadly Perspective
Installation, Abstract geometrical, Various materials, 350x218x270cm
My artistic practice is an experimental research on the desire trough a pictorial and spatial construction process. As my psychoanalytic experience, artistic production is for me a space-time favorable to new negotiations between reality and perception.
Like the unconscious does, I capture images, moments and mixed them. So I reproduce olds engineering plans by misperception; I lose my visual marks inside theoretical perspective sketches…
“Casus Belli#2: From Object To Deadly Perspective” is made with Factory pallets, Mixed media on treated Canvas Drop Cloth, Brick line, Two blank treated canvas on the wall (175x135) and Two blank untreated Canvas Drop Cloth on the floor (350x270). The drop cloth canvas is an industrial product made to imbibe the paint. That product imbibes paint like the unconscious absorbs reality. Once I treated it with concrete bound, it became a plane of consistency that I use as a map. The structure that holds the maps like is made with several industrials pallets. On the canvas, the first layers are made with projected images and reproduced with pen, pencil, permanent marker, acrylic marker. Then some parts are underlined with acrylic spray cans and vinyl acrylic. A Household gloss paint layers leads to the last layers made with pencil, permanent marker, acrylic marker and vinyl acrylic.
By confronting my desire to any types of human buildings, I destroy human certainties, historized fixtures signs, conventions and unified collective thoughts. The pieces produced are new areas of subjectivation, in which the topography of desire is traced by coupling objects together in order to explore the mechanisms at work, such as phantasms, anxiety, alienation, speech and perception.
Like the unconscious does, I capture images, moments and mixed them. So I reproduce olds engineering plans by misperception; I lose my visual marks inside theoretical perspective sketches…
“Casus Belli#2: From Object To Deadly Perspective” is made with Factory pallets, Mixed media on treated Canvas Drop Cloth, Brick line, Two blank treated canvas on the wall (175x135) and Two blank untreated Canvas Drop Cloth on the floor (350x270). The drop cloth canvas is an industrial product made to imbibe the paint. That product imbibes paint like the unconscious absorbs reality. Once I treated it with concrete bound, it became a plane of consistency that I use as a map. The structure that holds the maps like is made with several industrials pallets. On the canvas, the first layers are made with projected images and reproduced with pen, pencil, permanent marker, acrylic marker. Then some parts are underlined with acrylic spray cans and vinyl acrylic. A Household gloss paint layers leads to the last layers made with pencil, permanent marker, acrylic marker and vinyl acrylic.
By confronting my desire to any types of human buildings, I destroy human certainties, historized fixtures signs, conventions and unified collective thoughts. The pieces produced are new areas of subjectivation, in which the topography of desire is traced by coupling objects together in order to explore the mechanisms at work, such as phantasms, anxiety, alienation, speech and perception.
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