Non è tutto oro quel che luccica (opera tridimensionale)
The three-dimensionality of the movement replaces the three-dimension of the portrait. The lines go up and down, the falling lives close to the resurrection, the proud gait goes along the false step, the Apollonian spirit clashes and meets with the Dionysian spirit creating a variegated and complex harmony within which also the colour has an essential role.
www.marcoabbamondi.it
Comments 1
Say something