La Primavera di Quirra - Sotto il letto
This shot, which belongs to a series of photographs, may not contain the full complexity of the issue addressed, but it condenses the absurd and open to reflection, the irreconcilable contradiction between a people, the Sardinian, held clinging to the Ancient Profile of the Island with the tools of the tenacity and diffidence, and a force of the power, which usurping and trampling, which trains soldiers for a distance war and at the distant bleating of the land overlaps the whistle of useless bullets.
So that at Quirra, around the Experimental Polygon, in those areas that shepherds are not resigned to leaving, the game gets serious and life that resists contamination by uranium, malformed life for generations, sick of foreign bodies as they progress the shadow on the sunny land.
A Quirra war is fiction, is an exercise in style, but death is real. At Quirra war is a simulated game as are the plastic soldiers, is a potential theater of illusion, artificially created and dressed by rhetoric. The only true thing is the death that afflicts the community. The fear of going against the great powers, the rebellion that turns into self-condemnation.
This work tries to focus on a social problem through the use of toys as a means of investigation. The result is a reflection in the reflection that builds his house on infinite plane of metaphor. A mirror and a non-place.
The photographic series begins as a journey, the first shot is a vision and the following are a reflection on it.
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