crosta ruanda

What it is seen is all true also without the explanation, the contrast between what it sees and what camouflage is hidden determines a disorientation, the colorful composition that at first is perceived, is transformed in tenzione, in annoyance.
The same annoyance that western we have when we run in news of misery and wars.
Consumerism and amusement at all costs, narcotize the minds and the consciences, hiding that great part dell alive humanities of wars and devastations its anticipates in most camouflage Hush.
The picture enters to full merit to take part of the artistic current “cess Art” who does not have to deceive, wants to only mean that it is not autocelebrativa art of manieristica of repetitive of a stilema formal.
One still calls quatro only perches it has a support, it wants “TO STOP” to make mercificata and commercial art.
Weevers alone without like for the single fact to exist physically.
It must when it succeeds to us to attract disguising the meaning, must caress and whip as a result of the perception and of the meaning that from time to time is perceived.