Trittico "Pop pARTy"

Both in music as in the figurative term is derived from the root Pop Popular, or popular, as minimization of meanings but as opposed to an institutional Arts inserted in margins and current specified, haughty in his authority as leader in terms of definition of methods and measures. Another peculiarity of Pop Art is to stay within the limits of pure figurative analog and introduce the use of conceptuality as sign language, semiotics, like writing. From this important operation arise then the term, now obsolete, of contamination, that is, use of the most various techniques and artifices, and the performance, dynamic evolution of conceptuality, taken up in a stable manner by contemporary art, scope for these reasons in constantly changing and definition.

Daniela Lorefice arises with respect to the vertices of the geometry of this renewed expressions in order to turn innovative, new, stand-alone. The first sign glosses on conceptuality referring to a breach of the meanings of memory dadaist or surrealist, where the true concept involves the preparation, understood as a superposition of layers to be read as centrifugal role that culture has annexed in time without being completely straight. In the work of Daniela, in fact, often the starting point is the illogical concept, chopped, just as a result of the blender with the thought that this drainage tries to reactivate the meaning offended. The recurring presence of writing is the endorsement of a report conscious of styles and historical currents do not mix at random, anarchic drift of Pop, but reassembled in a totally equal, as equal tendency of the various expressions to compete in the same result as graphic and pictorial harmony , meaning genuinely popular of Pop.

Another aspect of innovation and gaiety work of Daniela lies precisely in contamination, which from now on we will call for justice transversality, which should not be read as use of technically different techniques, but as a variation inside the same Properties His language, such as the repetition of symbols of equality unequally, or the reversal of the same forms, or containment of shapes in signs and vice versa, in an implosion of colors that will make history dealt with and then reinstated, a tatzebao of relocation semantic playfully mimic the truth, test continued resilience of the system of static acquisitions in a Rubik's cube where the solution is not uniform in color but in composition, writing, randomness meaning that preceded the logic and mathematics .

Every work of Daniela is a sea in which navigate on their own in the most varied dimensions of the dream itself of Art, the randomness that is illogical common trait of styles and expressions, dreams of conception, absolute existence and resist any approval and flattening , the primary characteristic of art and particularly of Art Female or FemminArt.