fall

Ina Nikolic projects herself futher than the wall of the imaginary. Dancing on the limit of the perception of the beauty,her performances are like choreographies of the angelic bodies. In her representing the iconologic images of the beauty, she perceives the intimate contradiction representing by herself the absolute necessity to appear as the impetous hedonism: the pure aesthetic vision of the search of the perfection of shape. And from this laceration,from this dualism between that what she thinks and what she effectively feels, she lives the beauty and its autorappresentation;a laceration so strong to become problem of all the women of the third millenium always suspended between there obligation of the beutifull body and the necessity of “feeling” the truth of the inner worlds. The farrytales that cross her body fly driven like crazy provoking the rimembering of the same as we have in our memory of desire and the erotic pulsion.And,if the machine is made for its same definition, the image that often covers it loads shattering erotic asociation(...),"only the image of the beauty,also only for a moment,can give the illusion to save the world."-Dostojevskij