Slow Flow

The cycle of the Mineralogies feeds on double fascination of nature’s organic geometry, with its increase, progression and fragmentation lows, and the mineral silica and iron matter used for the paintings. The Mineralogies tell about a crystallized, fossil and stratified world, where ancient presences and tracks are traced, or ravines and recesses revealing geometries and concretions can be run through. These tales are based on a desired spatial ambiguity, which either recovers the perspective centre of Renaissance painting, or uses a perspective from above, which seems to embrace wide topographic horizons, or more makes use of an analytic and close vision, searching details and manifestations of a mineral microcosm.