Frammenti I
reworking of a photo reportage documenting the territory
of war after a conflict.
In the series of studies by fragments initially executed in graphite on paper
as tracing, emerge as prominent clusters of indistinct bodies
lifeless, deposed * on the ground, the accumulation is thought of as a representation of
a "landscape of death." In the later stage of processing of Painting
pictorial language adopted is focused on the use of the "design"
as weaving frayed and worn representation of bodies.
The work is made with the technique of oil painting on canvas of jute,
with a mode of stratification by gradual steps to sign-in color
dry stacked.
The use of the image for fragments and of the process of sedimentation of
color materials represents the core of your own 'current aesthetic research.
* deposition
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