Death Porn Stick

When we are faced with a work and especially the discourse of the curator, images abound. The audience becomes invisible and massified. Everything seems back clear and understandable. While inside of all those present, there is a feeling oppressed, a burst of anger need to modify the work they are seeing and silent wish impregnate his own vision and interpretation. After the public eye, the work does not look the same again, literally. Freely adapted from the work "Zen for Film" (1962-1964) by Nam June Paik.