'between intimacy and alienationom'
This work, ‘Between intimacy and alienation’ (created from 2010-2012 ) and contain about 33 + - different art works .
All the sketches, text, drawing on paper and engraved in plaster, models from various material and 3different sort of videos, 2 on small scales showing the process of me creating the performances I have done in early years (1987-2009)with what I called ‘body related work’ or ‘body-sculptures’, + one (1) video shows the end performance together with some of the process .
I put… hanged it all within a metal frame so defining to myself the space and the time and how it all relating connecting to another.
please note :
*Please look at paper(…e-mail I’ll send separated) contained more elaborating material regarding the nature of this work.
*This work is modular for transport and other adaptations purposes of space if needed…
The title ‘Between intimacy and alienation’, representing is in 4 words the balance I’m looking for in all my works.
The initial idea behind this work was to create sort of a performance, not a live one, but a static performance, in a way it is a combination of sculpture and theatre, a performance within the form of an installation.
By its nature, ‘between intimacy and alienation’ is both sculptural and theatrical, but nevertheless it remains static. once started the process I was in need of looking , finding , re-defining to myself my ‘red-line’(yes, later, translated into a transparent nylon wire ..) , and how it all connects to one another.
Along the way of the process I got the need to re-arrange things to myself, to contextualize …clarify, the work and the process too, the ways from A to Z, the way in which the idea develops, so It means to discover where ‘things are laying‘.
In fact this work is a collection, a collage of thoughts, sketches ,text ,maquettes and video clips from various performances, derived from my body of works I call ‘body-sculpture’s’ , which I began to develop in the mid eighty’s (1985-86 and onwards…).
I started this ‘collection’ once beginning to develop my body-related works, constantly adding new materials which I brought into this process. This work existing and influenced by the human body, its movements, it physic & mental, is being presented in the form of dance/movements performances (see website: www.noamben-jacov.nl ). When creating the performance I’m relating, enhancing the contact between ‘work’/object & human body and the space in between them as well as to the sound the ‘work’ makes.
Concisely or not Many thoughts cross one another along this way. As result of the search the steps I took become like a collection of ‘things on the move’, crossing the space from one to the other, from down to up, from left to right within this metal square, emphasizing the interrelations and putting it all in a context of mutual relations.
I‘m searching to catch, to put all that process into ‘one large open box’, to show first and foremost to myself the connections between it all, and how one thing lead to the other. …..
All the sketches, text, drawing on paper and engraved in plaster, models from various material and 3different sort of videos, 2 on small scales showing the process of me creating the performances I have done in early years (1987-2009)with what I called ‘body related work’ or ‘body-sculptures’, + one (1) video shows the end performance together with some of the process .
I put… hanged it all within a metal frame so defining to myself the space and the time and how it all relating connecting to another.
please note :
*Please look at paper(…e-mail I’ll send separated) contained more elaborating material regarding the nature of this work.
*This work is modular for transport and other adaptations purposes of space if needed…
The title ‘Between intimacy and alienation’, representing is in 4 words the balance I’m looking for in all my works.
The initial idea behind this work was to create sort of a performance, not a live one, but a static performance, in a way it is a combination of sculpture and theatre, a performance within the form of an installation.
By its nature, ‘between intimacy and alienation’ is both sculptural and theatrical, but nevertheless it remains static. once started the process I was in need of looking , finding , re-defining to myself my ‘red-line’(yes, later, translated into a transparent nylon wire ..) , and how it all connects to one another.
Along the way of the process I got the need to re-arrange things to myself, to contextualize …clarify, the work and the process too, the ways from A to Z, the way in which the idea develops, so It means to discover where ‘things are laying‘.
In fact this work is a collection, a collage of thoughts, sketches ,text ,maquettes and video clips from various performances, derived from my body of works I call ‘body-sculpture’s’ , which I began to develop in the mid eighty’s (1985-86 and onwards…).
I started this ‘collection’ once beginning to develop my body-related works, constantly adding new materials which I brought into this process. This work existing and influenced by the human body, its movements, it physic & mental, is being presented in the form of dance/movements performances (see website: www.noamben-jacov.nl ). When creating the performance I’m relating, enhancing the contact between ‘work’/object & human body and the space in between them as well as to the sound the ‘work’ makes.
Concisely or not Many thoughts cross one another along this way. As result of the search the steps I took become like a collection of ‘things on the move’, crossing the space from one to the other, from down to up, from left to right within this metal square, emphasizing the interrelations and putting it all in a context of mutual relations.
I‘m searching to catch, to put all that process into ‘one large open box’, to show first and foremost to myself the connections between it all, and how one thing lead to the other. …..
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