mediterran corner

The identity sirens. Alfred Milot Mirashi is a symbol of the contemporary nomadismo, in its painting finds the traces, the fragments, of all its cognitive experiences, than for distillation they have become the wealth of its tavolozza, giving them to all those beautiful coloriture and those shadings that of it make an example of opened synthesis the new, future, experiences, than they are continuously opened to its horizon, making to become a opra open, whose destiny and piece of furniture, or to its inside that in its outer positioning. Its is a continuous passage from the inner monologo to that outer one, not scevro from classic contaminations that come from its mythical Epiro and trasbordano in its Italian experience, than has made itself, for he, on