ENACTION

Video, Philosophy, Abstract informal, Short film, 10:19
VIDEO BY CARLOTTA PICCININI / MUSIC BY LUIGI MASTANDREA

Enaction is an audiovisual narration, the staging of an organic form that produces its own world through the perception and movements of his own body. The organism interrogates the environment both by delimiting as space and sound: sensory and motility define a world that becomes real only when it is lived.

Enaction’s Sequencing of selected colors represents the different/diverse ages of organic form, which regenerates constantly and every phase of life that closes prelude to the next one.

The fragments of liquid bodies narrate the form’s life experience; its own changes define the sound field and become sound themselves - the result of long field recordings, recordings of organ, digital synthesis.

The living form is an actual element and is narrated here in all of the mutations assumed through the shooting of each evolutionary phase, obtained by exploiting some principles of physics (non-Newtonian fluids) and chemistry (a combination of various elements at different temperatures of water). The final result is a digital modulation of a process “analogical” to its origin.

Enaction is an experimental project completely spontaneous, tending to rediscover and re-act the beginnings of motion graphics (when graphics in motion were produced by processes of generation and resumption of images totally analogical), adapting it to the technology models produced by the digital revolution.

*”Enaction” is a term used by a particular approach to cognition developed by neurophysiologist Francisco Varela, according to whom every living organism, through cognition intended as embodied action, develops a dynamic relationship with the surrounding environment. The enaction, or production of minds and worlds, identifies the root of cognition from sensomotoria action of the body coupled with the environment.

Enaction was created within the project and European festival Listening Cities and it was hosted and projected only in Lyon, France, at the end of 2012 at the Groupe Musiques Vivantes de Lyon.
• Premiered at roBOt Festival 06 (Bologna, Italy, Oct. 2013) in the new and definitive version.
• Screened at patch:audio_visual_lab (Krakowie, Poland, Oct. 2013)
• Selected for Segnali 2014 – International Festival of visual art and performances IV Edition (Perugia, Italy, April 4-10, 2014)
• Selected for Ende Tymes IV // Festival of Noise and Experimental Liberation (New York, USA, 8-11 May 2014)
• Selected for FONLAND #10_2014 - Digital Arts Festival (Coimbra, Portugal, Apr-Aug, 2014)
• Selected for FILE Video Art > FILE Electronic Language International Festival 2014 (São Paulo, Brazil, Aug-Oct, 2014)

http://enactionvideo.tumblr.com/

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Comments 6

Viktor
9 years ago
Viktor Artist
Come sono solito fare, ho guardato il lavoro senza leggere prima il tuo commento, devo dire che il concetto espresso, per quanto mi riguarda è centrato, da subito mi è sembrato esserci una trama narrativa che comprende la nascita e il cambiamento di un esistenza biologica, suggerita dalla scelta della materia e dai suoni che accompagnano le immagini, porta con sè, a parer mio anche una sorta di tensione emotiva nel vedere ed ascoltare, come se la rappresentazione della vita arrivi allo spettatore nella sua drammaticità, la scelta di un linguaggio informale poi lascia spazio alle emozioni di emergere liberamente ... cosa che apprezzo in artista e che rappresenta sempre un valore aggiunto.
Marco Randazzo
10 years ago
Ciao e complimenti per le tue opere! :)
Marco
Carlotta Piccinini
10 years ago
Carlotta Piccinini Artist, Filmaker, Video artist
Grazie mille @Alessandro!
Alessandro Lonzardi
10 years ago
Fantastico questo lavoro! Complimenti a voi.
Carlotta Piccinini
10 years ago
Carlotta Piccinini Artist, Filmaker, Video artist
Caro Luciano, grazie mille per il tuo intenso e articolato feedback, ci induce ad un'utile riflessione.
Buon lavoro a te.
Carlotta
LUCIANO CAGGIANELLO
10 years ago
La vita significante è il rapporto di appropriatezza tra forma e concetto, tra pensiero e azione, tra etica ed estetica, e probabilmente è solo la migliore interpretazione che ciascuno, o qualcuno, riesce a dare della realtà e della sua auspicabile oggettivazione. Pertanto l’itinerario diventa forma di pensiero, estraneo alla dialettica e allo stesso pensiero critico, ma non certo antitetico. E' il dispositivo immaginifico che ci fa voltare indietro, è la faticosa e ritmica rivelazione irrisolta che esce dal passato arrivando al presente, e forse traguarda il futuro.

Ne ricavo una stimolante sensazione. Complimenti.
Luciano

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