Domenica
Born of the calculated error of empiric experimentation, Tommy Bonicelli’s works express the double metaphor of evolution and change.
Continuous evolution of the artist in his personal and professional growth.
Evolution of time and memory, inseparable from the latter, through the uplifting example of travel.
Image as a shard of the memory of an undertaken trip, of a visual recollection of the visited and lived location, that doesn’t vanish or become corrupted but continues to live in the eternity of memory.
Accomplices of this immortalization of mnemonic images; photography and glue become the main components of Bonicelli’s work. A work which aims at the methodical census of monuments and architectural complexes, recovering with a contemporary twist the similar works of the Alinari brothers in the first decades of the twentieth century.
An identical setting of the angle of perspective through the use of an average to high point of view which tends to confer to the monument an objective connotation; an identical intent to almost catalogue.
Continuous evolution of the artist in his personal and professional growth.
Evolution of time and memory, inseparable from the latter, through the uplifting example of travel.
Image as a shard of the memory of an undertaken trip, of a visual recollection of the visited and lived location, that doesn’t vanish or become corrupted but continues to live in the eternity of memory.
Accomplices of this immortalization of mnemonic images; photography and glue become the main components of Bonicelli’s work. A work which aims at the methodical census of monuments and architectural complexes, recovering with a contemporary twist the similar works of the Alinari brothers in the first decades of the twentieth century.
An identical setting of the angle of perspective through the use of an average to high point of view which tends to confer to the monument an objective connotation; an identical intent to almost catalogue.
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