Concentus I ( opera al buio )
I was lucky to perform some choir songs of Gregory chant. These have been fixed in the soul. With a rate related to the laws of the world, yhe musical phrase is not closed by placing a limit, but leaving a wide open out look at the thought.
Of the two principles of singing while the accentus corresponds to the sillabic singing in the concentus the melody curves in sinuous sentences, dilating towards the irrational. It’s a mobile musical expression and airy, intangibile and fluid.
And the lightness and transparency of plexiglass, I move declining this abstraction.
In the dark the light is diffused by the plexiglass also on the back of the work occupying the vacant spaces by the materials.
Of the two principles of singing while the accentus corresponds to the sillabic singing in the concentus the melody curves in sinuous sentences, dilating towards the irrational. It’s a mobile musical expression and airy, intangibile and fluid.
And the lightness and transparency of plexiglass, I move declining this abstraction.
In the dark the light is diffused by the plexiglass also on the back of the work occupying the vacant spaces by the materials.
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