Hateshinaki Nagare no Hate ni...
A rammed-earth box made from riverbank and riverbed mud, holding river water on a raft. The statement that I issued when it was exhibited was:
In a vessel made from the river’s bed, a part of the river shall sleep. This section of the time stream stands outside of itself and testament to the passing MOnuMENT from which it was plucked. It rests above the turmoil and out of the reach of the entropic currents into which it always risks re-absorption. When returned, it shall be two weeks ‘behind’: is it a moment recurring? – has anything really altered in its absence?
Hateshinaki nagare no hate ni...*
Was it imaginary? Or was this mode of measuring that moment in the moving monument the instant of relativity that provided the contextual resonance that was needed to make the ordinary flow perceptible?
* “At The End Of The Endless Stream”
In a vessel made from the river’s bed, a part of the river shall sleep. This section of the time stream stands outside of itself and testament to the passing MOnuMENT from which it was plucked. It rests above the turmoil and out of the reach of the entropic currents into which it always risks re-absorption. When returned, it shall be two weeks ‘behind’: is it a moment recurring? – has anything really altered in its absence?
Hateshinaki nagare no hate ni...*
Was it imaginary? Or was this mode of measuring that moment in the moving monument the instant of relativity that provided the contextual resonance that was needed to make the ordinary flow perceptible?
* “At The End Of The Endless Stream”
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