In the images of "fraternally", in addition to physiognomic similarity, emerges a shame mixed with pride and affection. The brothers are together for a portrait and their feelings are imprinted on the film. Pictures are taken in the places that join them and keep them close: job, life or passion. On stage they settle freely, scattering or approaching, they communicate looking or facing the machine, identifying themselves with background or becoming alienated from it. So are living, through that images, the relationships between these brothers.
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