Apocatastasi
Apocatastasis is part of a broader search composite Valentina leads for years around and within the body and its progressive disfacimento.La disease in all its forms, the events accidental trauma, are conditions on which focuses the 'artist, attracted dall'inesorabilità moments of fatal and contingents that often become turning points adjusts the body and draw a new path. This interest merges with the equally alive to a body that bends naturally in the flow of time. Old age. The rebirth.
The cyclical nature of time and nature are central pillars in the artist's research. From the embryo that was born in the liquid to the vision of an old age that undoes the body and turns it, the artist highlights the tension in his creatures to return to a primitive condition, a humus ancestral before generating them and then welcomes them and restores the order.
Water is the primary material of which they are composed these creatures (much more than us). Applied with a piece of china or pigment, to gain visibility and character, the water spreads and cola, the body soaks. The artist handles the direction of the water and the forms it comprises moving the paper, suggesting the way. Handle the case when the unexpected happened. If the water takes a direction independent and uncontrolled, the design without losing strength and centrality, suits and include accident.
. The magnetism forming moving precariously between panic dimension of the abyss and a certain desire for lightness, a divertissement that presents little beings with antennas, more like fish / amphibians to humans. The beautiful bright colors impress us by their vitality, far from there to capture their energy. Then undermine every safety and bien etre when we approach.
Waiting, pleading, mercy, defeat, dismay, resignation, anger, fear. The eyes are transparent.
In close dialogue with those who are watching.
The relational sphere that connected the creatures made in china replacing a relationship established with the viewer. The request for a visual contact is very strong, from the bottom upwards.
The cyclical nature of time and nature are central pillars in the artist's research. From the embryo that was born in the liquid to the vision of an old age that undoes the body and turns it, the artist highlights the tension in his creatures to return to a primitive condition, a humus ancestral before generating them and then welcomes them and restores the order.
Water is the primary material of which they are composed these creatures (much more than us). Applied with a piece of china or pigment, to gain visibility and character, the water spreads and cola, the body soaks. The artist handles the direction of the water and the forms it comprises moving the paper, suggesting the way. Handle the case when the unexpected happened. If the water takes a direction independent and uncontrolled, the design without losing strength and centrality, suits and include accident.
. The magnetism forming moving precariously between panic dimension of the abyss and a certain desire for lightness, a divertissement that presents little beings with antennas, more like fish / amphibians to humans. The beautiful bright colors impress us by their vitality, far from there to capture their energy. Then undermine every safety and bien etre when we approach.
Waiting, pleading, mercy, defeat, dismay, resignation, anger, fear. The eyes are transparent.
In close dialogue with those who are watching.
The relational sphere that connected the creatures made in china replacing a relationship established with the viewer. The request for a visual contact is very strong, from the bottom upwards.
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