IN VITRO
While adopting contemporary aesthetics, the installation also evokes centuries of alchemy and experimentation, from Paracelsus’ Homunculus to its subsequent developments in Nineteenth century fiction.
A video projection is mapped on a set of laboratory test tubes where images acquire a holographic quality given by the combination of the internal liquid, the glass curvature and the rear projection.
A series of clones of female bodies and plants materialize and transform themselves “in vitro” showing several different relationships with the space and with the viewer…
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