SILLAR
In everyday life, ritualising acts mark the memory of the body and form its evolution. Sillar,a three- day performance in a room, is divided into three phases: CLEANING phase when you clean to create a space with the aim of contacting the self. The walls of the room, (which is the real artists home), are cleaned with water washing away the old paint that she applied a year earlier. MOVEMENT stage where the artist contacts herself and caring in a ritualising act she prepares for action. After changing her dress. ACTION The change starts from the consciousness taken in the previous phase. The artist removes the structure and she places it on the wall where it will become part of the installation. She is now free to tell her time through the changing colours of materials. MATERIALS The structure is formed by substances that make up the connettivina, the tissue that supports the skeletal structure of the human body. The protein part of it is replaced by the corresponding protein molecular paper (in cellulose) materials used in the base installation and material of maize for its beneficial action.
SILLAR
In everyday life, ritualising acts mark the memory of the body and form its evolution. Sillar,a three- day performance in a room, is divided into three phases: CLEANING phase when you clean to create a space with the aim of contacting the self. The walls of the room, (which is the real artists home), are cleaned with water washing away the old paint that she applied a year earlier. MOVEMENT stage where the artist contacts herself and caring in a ritualising act she prepares for action. After changing her dress. ACTION The change starts from the consciousness taken in the previous phase. The artist removes the structure and she places it on the wall where it will become part of the installation. She is now free to tell her time through the changing colours of materials. MATERIALS The structure is formed by substances that make up the connettivina, the tissue that supports the skeletal structure of the human body. The protein part of it is replaced by the corresponding protein molecular paper (in cellulose) materials used in the base installation and material of maize for its beneficial action.
SILLAR
In everyday life, ritualising acts mark the memory of the body and form its evolution. Sillar,a three- day performance in a room, is divided into three phases: CLEANING phase when you clean to create a space with the aim of contacting the self. The walls of the room, (which is the real artists home), are cleaned with water washing away the old paint that she applied a year earlier. MOVEMENT stage where the artist contacts herself and caring in a ritualising act she prepares for action. After changing her dress. ACTION The change starts from the consciousness taken in the previous phase. The artist removes the structure and she places it on the wall where it will become part of the installation. She is now free to tell her time through the changing colours of materials. MATERIALS The structure is formed by substances that make up the connettivina, the tissue that supports the skeletal structure of the human body. The protein part of it is replaced by the corresponding protein molecular paper (in cellulose) materials used in the base installation and material of maize for its beneficial action.
SILLAR
In everyday life, ritualising acts mark the memory of the body and form its evolution. Sillar,a three- day performance in a room, is divided into three phases: CLEANING phase when you clean to create a space with the aim of contacting the self. The walls of the room, (which is the real artists home), are cleaned with water washing away the old paint that she applied a year earlier. MOVEMENT stage where the artist contacts herself and caring in a ritualising act she prepares for action. After changing her dress. ACTION The change starts from the consciousness taken in the previous phase. The artist removes the structure and she places it on the wall where it will become part of the installation. She is now free to tell her time through the changing colours of materials. MATERIALS The structure is formed by substances that make up the connettivina, the tissue that supports the skeletal structure of the human body. The protein part of it is replaced by the corresponding protein molecular paper (in cellulose) materials used in the base installation and material of maize for its beneficial action.
SILLAR
In everyday life, ritualising acts mark the memory of the body and form its evolution. Sillar,a three- day performance in a room, is divided into three phases: CLEANING phase when you clean to create a space with the aim of contacting the self. The walls of the room, (which is the real artists home), are cleaned with water washing away the old paint that she applied a year earlier. MOVEMENT stage where the artist contacts herself and caring in a ritualising act she prepares for action. After changing her dress. ACTION The change starts from the consciousness taken in the previous phase. The artist removes the structure and she places it on the wall where it will become part of the installation. She is now free to tell her time through the changing colours of materials. MATERIALS The structure is formed by substances that make up the connettivina, the tissue that supports the skeletal structure of the human body. The protein part of it is replaced by the corresponding protein molecular paper (in cellulose) materials used in the base installation and material of maize for its beneficial action.
SILLAR
In everyday life, ritualising acts mark the memory of the body and form its evolution. Sillar,a three- day performance in a room, is divided into three phases: CLEANING phase when you clean to create a space with the aim of contacting the self. The walls of the room, (which is the real artists home), are cleaned with water washing away the old paint that she applied a year earlier. MOVEMENT stage where the artist contacts herself and caring in a ritualising act she prepares for action. After changing her dress. ACTION The change starts from the consciousness taken in the previous phase. The artist removes the structure and she places it on the wall where it will become part of the installation. She is now free to tell her time through the changing colours of materials. MATERIALS The structure is formed by substances that make up the connettivina, the tissue that supports the skeletal structure of the human body. The protein part of it is replaced by the corresponding protein molecular paper (in cellulose) materials used in the base installation and material of maize for its beneficial action.
SILLAR
MATERIALS The structure is formed by substances that make up the connettivina, the tissue that supports the skeletal structure of the human body. The protein part of it is replaced by the corresponding protein molecular paper (in cellulose) materials used in the base installation and material of maize for its beneficial action.
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