Core
possible sketch for a future painting extracted from my working archive; more and more it seems to me that this image requires a mandatory presence within the project; its placement bellow the iconic photograph of Nicolae Iorga, maybe directly on the floor, leaning against the wall, with the gaze directed toward the corner, would correctly open up the context of the memorial house towards the new system I seek to find with my intervention; perhaps the project should include a painting after all
sketch for possible placement of image from my working archive within the pre-existing context of "Nicolae Iorga" Memorial House; I would rather keep this metaphorical differentiation between the two most important concepts that come forward with this juxtaposition: "memorial house" and "house of memories."
Other works
These are Nicolae Iorga's parents. Father died early on. The mother was forced to take care of her children facing extreme difficulties. Although highly educated and coming from a family of noble origins, she had to resort occasionally to the humiliating labor of sewing dresses for other women, to make money. This detail, from all the information that I took from the guided tour, stuck with me.
Homemade Cure for Digital Spleen
Another identifiable layer is on the conventional notions of achievement, applicable to a discussion on gender roles. A secondary presence within the house, although very much an instrumental figure, is the mother, Zulnia Iorga.
There is an enormous quantity of information that I have to process somehow. I find this worth pursuing because even if I fail in my capacity as an artist, employing this approach would still make a valuable stand for my belief that art is the most useful tool to the task of disambiguation and meaningful archiving, some of the today's essential operations.
The preliminary visit clarified that I would have to diverge from painting, my usual medium, to make my temporary intervention consistent with the pre-existing conditions. I noticed a need for something more insubstantial that would hold an image - objects that could be placed anywhere in space without causing any damaged or much interference. One idea I am following is of manufacturing several pillows in needlepoint, as a pretext for advancing through the rendered images concepts of my own. Thus, for now, I am engaged in what might be seen as an idiosyncratic and counterintuitive practice, of needlepoint, as it is imperative to see what is the first work I can produce in this manner, that I would consider a significant addition to my portfolio. The project is set to evolve in a way that is to be found through practice.
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