Paolo Bongianino Un mare di nebbia
Born in 1956, he received his first camera in the early ’60 and from then on he has never stopped looking at the world around him with curiosity and attention through his camera’s viewfinder. A few years ago he began focusing on the details that often escape us: colors, pairings of shapes and colours, geometries. Most, but not all, of his pictures are in color. Black and white is still used, a memory of his beginnings as well as the fascination with the dark room of his youth. Subjects span from landscape to details, from nature to industrial archaeology, from macro photography to architecture and work sites. Often the subject of the image is a small detail: light, colors and shadows are the elements that stand out and sometime surprise the viewer.
Paolo Bongianino Bolla
Born in 1956, he received his first camera in the early ’60 and from then on he has never stopped looking at the world around him with curiosity and attention through his camera’s viewfinder. A few years ago he began focusing on the details that often escape us: colors, pairings of shapes and colours, geometries. Most, but not all, of his pictures are in color. Black and white is still used, a memory of his beginnings as well as the fascination with the dark room of his youth. Subjects span from landscape to details, from nature to industrial archaeology, from macro photography to architecture and work sites. Often the subject of the image is a small detail: light, colors and shadows are the elements that stand out and sometime surprise the viewer.
Paolo Bongianino Nebbia in pianura
Born in 1956, he received his first camera in the early ’60 and from then on he has never stopped looking at the world around him with curiosity and attention through his camera’s viewfinder. A few years ago he began focusing on the details that often escape us: colors, pairings of shapes and colours, geometries. Most, but not all, of his pictures are in color. Black and white is still used, a memory of his beginnings as well as the fascination with the dark room of his youth. Subjects span from landscape to details, from nature to industrial archaeology, from macro photography to architecture and work sites. Often the subject of the image is a small detail: light, colors and shadows are the elements that stand out and sometime surprise the viewer.
Paolo Bongianino In the fog #1, Pubblicata da PhotoVIgue
Born in 1956, he received his first camera in the early ’60 and from then on he has never stopped looking at the world around him with curiosity and attention through his camera’s viewfinder. A few years ago he began focusing on the details that often escape us: colors, pairings of shapes and colours, geometries. Most, but not all, of his pictures are in color. Black and white is still used, a memory of his beginnings as well as the fascination with the dark room of his youth. Subjects span from landscape to details, from nature to industrial archaeology, from macro photography to architecture and work sites. Often the subject of the image is a small detail: light, colors and shadows are the elements that stand out and sometime surprise the viewer.
Paolo Bongianino In the fog #3
Born in 1956, he received his first camera in the early ’60 and from then on he has never stopped looking at the world around him with curiosity and attention through his camera’s viewfinder. A few years ago he began focusing on the details that often escape us: colors, pairings of shapes and colours, geometries. Most, but not all, of his pictures are in color. Black and white is still used, a memory of his beginnings as well as the fascination with the dark room of his youth. Subjects span from landscape to details, from nature to industrial archaeology, from macro photography to architecture and work sites. Often the subject of the image is a small detail: light, colors and shadows are the elements that stand out and sometime surprise the viewer.
Paolo Bongianino In pineta
Born in 1956, he received his first camera in the early ’60 and from then on he has never stopped looking at the world around him with curiosity and attention through his camera’s viewfinder. A few years ago he began focusing on the details that often escape us: colors, pairings of shapes and colours, geometries. Most, but not all, of his pictures are in color. Black and white is still used, a memory of his beginnings as well as the fascination with the dark room of his youth. Subjects span from landscape to details, from nature to industrial archaeology, from macro photography to architecture and work sites. Often the subject of the image is a small detail: light, colors and shadows are the elements that stand out and sometime surprise the viewer.
Paolo Bongianino Countryside
Born in 1956, he received his first camera in the early ’60 and from then on he has never stopped looking at the world around him with curiosity and attention through his camera’s viewfinder. A few years ago he began focusing on the details that often escape us: colors, pairings of shapes and colours, geometries. Most, but not all, of his pictures are in color. Black and white is still used, a memory of his beginnings as well as the fascination with the dark room of his youth. Subjects span from landscape to details, from nature to industrial archaeology, from macro photography to architecture and work sites. Often the subject of the image is a small detail: light, colors and shadows are the elements that stand out and sometime surprise the viewer.
Fog in the wood Pubblicata da PhotoVogue
Born in 1956, he received his first camera in the early ’60 and from then on he has never stopped looking at the world around him with curiosity and attention through his camera’s viewfinder. A few years ago he began focusing on the details that often escape us: colors, pairings of shapes and colours, geometries. Most, but not all, of his pictures are in color. Black and white is still used, a memory of his beginnings as well as the fascination with the dark room of his youth. Subjects span from landscape to details, from nature to industrial archaeology, from macro photography to architecture and work sites. Often the subject of the image is a small detail: light, colors and shadows are the elements that stand out and sometime surprise the viewer.
Paolo Bongianino Dopola nevicata
Born in 1956, he received his first camera in the early ’60 and from then on he has never stopped looking at the world around him with curiosity and attention through his camera’s viewfinder. A few years ago he began focusing on the details that often escape us: colors, pairings of shapes and colours, geometries. Most, but not all, of his pictures are in color. Black and white is still used, a memory of his beginnings as well as the fascination with the dark room of his youth. Subjects span from landscape to details, from nature to industrial archaeology, from macro photography to architecture and work sites. Often the subject of the image is a small detail: light, colors and shadows are the elements that stand out and sometime surprise the viewer.
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