aMIoF
The concept:
Seeing an image, along with the subject represented, there’s another layer that is the effect of what is evoked or implied as feelings or memories. The “mental image” is a way to express this concept: what is outside of an image.
The structure:
The audio and the video track features contrasts and resonances on a timbral or chromatic level. Various source material as pictures, video, written text, field recordings, samples. This is a way to represent the difference between a real image and a mental one.
The audio:
The audio track is called “a Mental Image of F” and is based upon an idea of a separation between the two stereo channels juxtaposed on a central development as a way to depict the difference between a perceived image and a real one.
The video:
The video is focused upon the dialectic between moving pictures and static ones obtained as long-time exposures to the first cut of the video. So the mental image is depicted as a sort of static image, or a memory, of what was moving.
Seeing an image, along with the subject represented, there’s another layer that is the effect of what is evoked or implied as feelings or memories. The “mental image” is a way to express this concept: what is outside of an image.
The structure:
The audio and the video track features contrasts and resonances on a timbral or chromatic level. Various source material as pictures, video, written text, field recordings, samples. This is a way to represent the difference between a real image and a mental one.
The audio:
The audio track is called “a Mental Image of F” and is based upon an idea of a separation between the two stereo channels juxtaposed on a central development as a way to depict the difference between a perceived image and a real one.
The video:
The video is focused upon the dialectic between moving pictures and static ones obtained as long-time exposures to the first cut of the video. So the mental image is depicted as a sort of static image, or a memory, of what was moving.
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