In the shadow

I’m looking for the architectures which incorporate a sort of animated geometry and a tenuous relationship between void and surface, light and dark so that the ingredients can bee seen in a moving way, in a dynamic and evocative way. Dealing with lines, the whole perception of shapes becomes a geometrical and sculptural progression from line to plane, from plane to volume and from volume to an other dimension lying beneath appearances, taken by the seamless surface of the photograph eye.