"Day Six"
When I paint, I paint. I just start working with colors because I’m really a colorist. I know what goes with what, what works, or what plays; I have my feelings and I just want to get everything flowing, and the color working great.
It’s not all about color, though. When I was very young I trained to be an x-ray technician. From that time on, as T.S. Eliot wrote in his “Whispers of Immortality,” I have seen “the skull beneath the skin.”
The structure of the painting is very important to me, and in my most recent series I have, in a manner of speaking, allowed the bones of the painting—both compositionally and metaphorically, become the painting’s’ subject matter.
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