A narrare il mutare delle forme in corpi mi spinge l’estro

The colored figure, deliberately left undefined, free to interpretation by the observer as in the ink blots of Rorschach, meets dichotomically the human need of definition; the need of attribute in known usual domains is given by the figurative structure of the twine.
The artist denies the interpretation of the observer defining, with the string, the subject represented; she charges with objectivity the subjectivity of fantasy.