Pang
My art practice is always ‘in between’. Being in between means being on the slippery boundaries of different conceptions. I avoid direct representation deliberately, thus many of my work can be read in different terms simultaneously.
My work is seen as abstract as well as landscape. I use the internalized landscape of the outer world. I have been encountering numerous images daily, and record them in my mind. When I draw, I recall the memories of the scenes and fill the omitted parts with my imagination. By doing so, inevitably, my work becomes abstract, yet still retains some properties of landscape.
The viewers’ responses are also in between. My work has evoked a wide range of comments from humour to unease. In fact, I pursue both of those emotion, since the world itself is ambivalent to me.
The boundaries are not fixed and always move, according to the viewer’s own memories and experiences.
Hovering between different ideas makes instability. Thus, my art practice is the exploration of instability.
My work is seen as abstract as well as landscape. I use the internalized landscape of the outer world. I have been encountering numerous images daily, and record them in my mind. When I draw, I recall the memories of the scenes and fill the omitted parts with my imagination. By doing so, inevitably, my work becomes abstract, yet still retains some properties of landscape.
The viewers’ responses are also in between. My work has evoked a wide range of comments from humour to unease. In fact, I pursue both of those emotion, since the world itself is ambivalent to me.
The boundaries are not fixed and always move, according to the viewer’s own memories and experiences.
Hovering between different ideas makes instability. Thus, my art practice is the exploration of instability.
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