free-Still

The dancer is portrayed during her own motion research process. Single images, printed on transparent acetate, are superimposed to form only one, through the technique of interlacing becoming my stylistic figure and the research material of the last few years, overlapping of 6 movements, each pair of movements was braided on a chassis , The frames have been superimposed, creating motion perspectives, with fiery fastness and dynamism, the movement-sign captured in its essence: an attempt to look for, find a struggle for persistence of memory and (in) definition of a future perspective