LSD last supper drama "black"
The game of chess is represented by Raciti as a metaphor of a “compulsion move” that life offers as a privilege but is inevitably a lost game. Although our liberum arbitrium gives us the capacity to experience a wide range of incredible emotions and passions that Raciti visualizes on his chess board with a strong visionary power. Therefore, we find in his artwork the primordial force of nature and the intensity of human passions that create an immortal source of energy reaching the peak in “LSD Last Supper Drama” cycle, through a perspective, by contrast, that nearly investigate what was considered obvious over the centuries. The Black LSD represents the materiality of the concrete world, associated with the human needs. The Red LSD is the fleshly nature and the carnal passion, representing the Transubstantiation, the conversion of the bread and wine into the body and blood of Christ. The White LSD is the state of final purity of the human being, after contact with the divine revelation, the life after death, the white spirituality that dissolves the color of the sky after last supper.
LSD last supper dessert
The resurrection announced by Raciti is not physical or bodily, but only spiritual. In this project the body is deformed and the characters are intricate and unrecognizable. It is the rediscovery of those dark sides, hidden in a subjective space that we often refuse to see.
The iconographic fulcrum is the crow, historically associated with the myth of the ferryman to ferry the souls into the underworld. With a sapient chromatic sense, Raciti finally declines his inspiration in three main colors, each of them symbolizes the fundamental aspect of life.
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