Abstract 1

Parallelepipeds with an irregular and uncertain shape, arise from the intertwining of metal wires, on all six sides, wires of iron, copper, bronze, of different length and thickness. They are completed with the insert of aluminum sheets of various sizes on some of the six floors. Threads and foils are modulated according to their own original movement that refers to an unfinished. Random texture and unlikely geometry, metals mark paths of reflections, thoughts, memories that accompanied the time of production. The lines and fragments, the shadows moved by a light point (a window, a lamp) that could change, the nuances, the colors and the glows that came out of the encounter with fire (to which the works were subjected and which caused the indefinite form), the play of voids and solids also represent for the spectator the complexity of his own internal world.