"senza titolo"

How may space and time be perceived in an everyday existence split between the real and the virtual?
I analysed the relationship between these two realities through my visual research focusing on the symbolic places of the contemporary world: spaces in which a phase displacement caused by the aesthetic delirium of infinite repetition comes to the fore. The focus is thus on consumption spaces, multiform containers in which the inner structure made up of reflective, sparkling surfaces immerses the individual in an abstract dimension in which perception is conditioned by its fragmentary visual nature.
The contemporary world is thus represented as a patchwork of disharmonic, ambiguous and self-referential elements, grotesque intrusions featuring contrasting, overlaid rhythms, bereft of all rules, dominated by the inertia of a world comforted only by the glimmering image of itself.
There are viewpoints from which the human figure appears to be forced to occupy jagged and inhospitable surfaces, in which its three-dimensional nature seems to fade, its orientation looks compromised and individuals lose their shape, drawn in to form part of a collective hallucination.