Abysinnian Field December 16th 2010

The current reductive landscapes with minimized colour, allow the viewer to experience the work as a sensed encounter of a place. There is a continual search into the memory of something lost, keeping a hint of the underneath without actually revealing what it is. The spatial illusion caused by the ever moving light is an enigma.

Circles and lines are a tracing of life with no beginning and no end, continually moving, always searching.