LAND
recycling process. At a given moment in this process --
but not decisive moment in the Cartier-Bresson sense- the matter imploded takes on a new form, the scraps turn into flowers, overturning the rules perspective in a game of kaleidoscopic
duplication. The negative is played and reversed (metaphor
disappearance of the original in the digital age) until
confuse the subject with a monster that embodies multiforme
infinite emotional representations, one for each spectator.
Digital print on Hahnemuhle paper, 75x75 cm, limited edition.
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