equation

When I look back on my previous works, it seems obvious that what I search for is some direct relationship between my inner existence and the world surrounding me. I am clearly concerned about fake, idealized reality and about the deceptive role of the media.
The perceived reality creates some layers and what I am looking for are the spatial points and passages made by these layers.
In addition, the levels of meaning and contact points themselves are present as a matter of painting, too. The layers appear sometimes as foils or curtains and some other times as ordinary tears or splits, which are painted but look like a photograph.
I put particular events or non-existent memories into different order. Amassing returns visually quite often. In some cases the sight is as violent and banal, sometimes even bashful as the outside world as I see it, like the colour programme guides, the TV programme guides or the catalogues dropped in postboxes. At the end we are lost in the mass of ostentatious colours and we fail to notice the point. In my works these papers often appear as basic raw materials.
Tearing and cutting
I rake up certain limits, tear off the parts not fitting: tearing is manual work, instinct.
Cutting is conscious.