The prevailing art (0913)

The works in this series comes from contact between different artistic
expressions.
The multiplicity of different forms of art reflects the diversity of viewpoints with
which man can see reality.
Which of the many aspects will prevail over the other is subjective to individual
experience.
Reality is however a combination of these aspects.
“The prevailing art” was conceived to capture, in an image, the energy which relates a
dancing subject with an inspiring object of art and present the choice of the moment
(that photographic shot) as a passive accomplice but also an active accomplice of that
energy.
How do you dance a work of art?
How do you transmit, with an image the energy present in that istant?
How can that energy be perceived through an image?
Certainly not by tasting the ingredients separately (the work of art, the “danced
body”, the photograph…): “Recognizing” one ingredient takes us far from the
comprehensive flavour of what we are tasting. Hence it is necessary to strive not to
recognize the “ingredients-artistic expressions” present, in order to share the taste
of that energy, fruit of that mixture, wich in that precise instant has been set free.