Baby Kerosine
unobtainable now and the beauty and terror of that dynamic. The fictitious quality inherent in the images, such as in the hyper-colours of 'Baby Kerosine', are fabricated and can thus assert
subjectivity as a quality, without romance or sentimentality.
The subject is photographed multiple times, cautiously composed, and these photos become the starting point of the paintings which depart
as I apply and remove and re-apply the oils, layer by layer, intuitively.
The result is necessarily ambiguous, beautifully twisted for eternity, that moment now lost.
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