02 March 2013
Pedone Nino is the exception, in the sense that his painting seemingly mild, after a moment hits you with the force of the drop of water that caresses slightly but then engages you with the force of that drop digging slowly, but wins in the end even the rock.
The work of pedestrian is the reincarnation of his spiritualized way of being, is mild, almost shy but just let him talk a few minutes to measure the strength of its culture, that fades into a delicacy that always seems to make fragile as his painting, which is instead leaning on exceptional strength that does not appear immdiatamente dominated by anxiety because of a continuous aesthetic research, perhaps not entirely satisfied.
Other critics have pointed out her search for a harmony of colors that Walker has tried to solve using white as the dominant theme because harmonic sum of all colors.
A meticulous research that has reminded us, if only for contrast, the black square of Malevich Kazimir Severinovic and consequently the desire to pigeonhole Pedestrian Nino as an exponent of Suprematism.
The work of pedestrian is the reincarnation of his spiritualized way of being, is mild, almost shy but just let him talk a few minutes to measure the strength of its culture, that fades into a delicacy that always seems to make fragile as his painting, which is instead leaning on exceptional strength that does not appear immdiatamente dominated by anxiety because of a continuous aesthetic research, perhaps not entirely satisfied.
Other critics have pointed out her search for a harmony of colors that Walker has tried to solve using white as the dominant theme because harmonic sum of all colors.
A meticulous research that has reminded us, if only for contrast, the black square of Malevich Kazimir Severinovic and consequently the desire to pigeonhole Pedestrian Nino as an exponent of Suprematism.
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