09 September 2016
The imitator of himself Tiberio Cianciotta.
One of the "instinctive" test is related to polychrome graphic signs even before that to: urge the psyche through color. Try to "play" with the colors of Maurizio Sacchini; try to awaken the hidden self with sacchiniana palette, try this. You will discover the beautiful feelings, though untranslatable emotionally. It is not just a theoretical game though, the writer, has tried before with himself, then with others. Young, old, women, men, educated, uneducated, all short, suddenly found themselves confronted with a visual and chromatic really disturbing electrifying time now, almost within each will liven up a "space" unexplored, turning on the intimate contact with that part which we can not talk. Painting with psychoanalytical aspects to Sacchini? A difficult question. And if it is hard to imagine the answer the question. Certainly the "sign." The world Sacchini is the kaleidoscope. Its real you facet, turbine, flips, do not you let yourself live and behold dangerous irises that are colored in orange, blue, exuding solar moods ( "THE FOUR SEASONS"), or futurist arches that surround human beings, tiny insects ( "MEETING..."). And then some narrative quotes the American masters of the twentieth century ( "ACID RAIN"), a homage to the surrealist Dali ( "SPIRAL 30"), actually filamentous microscope, jellyfish and Big Bang ( "FLASH"). An incessant questioning about the possibility of seeing ... mobile Magnification ( "NIGHT THOUGHTS") which sometimes explode into roses Futurist ( "HEAD OUT").
The Sacchini language is a composite language, often discontinuous, but tormented like a blind eye.
HEAD OFF 1988 Oil and PVA glue on canvas. 40 x 50
One of the "instinctive" test is related to polychrome graphic signs even before that to: urge the psyche through color. Try to "play" with the colors of Maurizio Sacchini; try to awaken the hidden self with sacchiniana palette, try this. You will discover the beautiful feelings, though untranslatable emotionally. It is not just a theoretical game though, the writer, has tried before with himself, then with others. Young, old, women, men, educated, uneducated, all short, suddenly found themselves confronted with a visual and chromatic really disturbing electrifying time now, almost within each will liven up a "space" unexplored, turning on the intimate contact with that part which we can not talk. Painting with psychoanalytical aspects to Sacchini? A difficult question. And if it is hard to imagine the answer the question. Certainly the "sign." The world Sacchini is the kaleidoscope. Its real you facet, turbine, flips, do not you let yourself live and behold dangerous irises that are colored in orange, blue, exuding solar moods ( "THE FOUR SEASONS"), or futurist arches that surround human beings, tiny insects ( "MEETING..."). And then some narrative quotes the American masters of the twentieth century ( "ACID RAIN"), a homage to the surrealist Dali ( "SPIRAL 30"), actually filamentous microscope, jellyfish and Big Bang ( "FLASH"). An incessant questioning about the possibility of seeing ... mobile Magnification ( "NIGHT THOUGHTS") which sometimes explode into roses Futurist ( "HEAD OUT").
The Sacchini language is a composite language, often discontinuous, but tormented like a blind eye.
HEAD OFF 1988 Oil and PVA glue on canvas. 40 x 50
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