25 January 2015
Nowadays we find ourselves increasingly to speak of what contemporary art - above all – believed to be the most difficult and elitist. The artist is a fundamental element in contributing to this definition. One of the amazing things in Bologna is that wandering the city one can encounter in ever new and original forms of art.
The artist in question wants to remain anonymous, we knows only his nom de plume, Nonoska97; his art is interesting, insightful and chaotic. Without no filter shows us the female figure in all its schemes, from the goddess Kali ready to judge us until you reach a woman almost androgynous, passing by the woman who gives life and is ready to kill at the same time. In fact, in his designs recurring themes are the knife and the female, represented the antithesis life/death that many poets, artists and philosophers have tried to explain in different ways. All around these women gravitate furious miniature stories placed at random, but they seem to be able to show to the viewer a glimpse of inner chaos that the artist is trying to reorder and put in harmony.
His scratchy, grainy and imprecise art collides with designs displayed in the second room: this time the color gives way to the bic pen, by the roughness you pass to a minimal purity with the exaltation of miniatures, still more grouped and concise; the line seesaw before is very light and quiet, then heavy, furious. Interestingly, in these works the artist in a corner of the sheet puts his signature, as if to come out, leaving its women the task of telling his inner motion.
But who is Nonoska97? Who are his women? Nonoska97, in its simplicity of man, is a psychologically complex artist, his story is like his women, where mingle sweet and bitter, happiness and sadness, confidence in others and mistrust. Unconscious, complaints that in everyday life are kept quiet, come to life in his drawings: his macrocosm is packed into those leafs, and viewers find out and recompose the puzzle pieces.
All this, however, would not have had life without his curator and gallerist Eugenio Santoro, a "Marinetti's" style man (we walk the expression), which denounce and explains that art is not only in the academies and the works must not be enclosed and protected in museums, but experienced, hear, views. And what's better than a house, where to re-activate the five senses? He is the proud standard bearer of this innovation, the "home gallery" where artists can feel at home and where visitors can experience fully the spirituality of art. A kind of bauhaus, where art and technology mix and create themselves.
Returning to the first question, what is the contemporary art as the artist contributes to leave their mark, Nonoska97 with much humility shows us the way of his artistic and personal knowledge. Art is communication made of signs, gestures, of color and line of bic, showing that implication is made of the same substance of his creative hand.
12/10/2014
Chiara Giglio
(Reserved reproduction)
The artist in question wants to remain anonymous, we knows only his nom de plume, Nonoska97; his art is interesting, insightful and chaotic. Without no filter shows us the female figure in all its schemes, from the goddess Kali ready to judge us until you reach a woman almost androgynous, passing by the woman who gives life and is ready to kill at the same time. In fact, in his designs recurring themes are the knife and the female, represented the antithesis life/death that many poets, artists and philosophers have tried to explain in different ways. All around these women gravitate furious miniature stories placed at random, but they seem to be able to show to the viewer a glimpse of inner chaos that the artist is trying to reorder and put in harmony.
His scratchy, grainy and imprecise art collides with designs displayed in the second room: this time the color gives way to the bic pen, by the roughness you pass to a minimal purity with the exaltation of miniatures, still more grouped and concise; the line seesaw before is very light and quiet, then heavy, furious. Interestingly, in these works the artist in a corner of the sheet puts his signature, as if to come out, leaving its women the task of telling his inner motion.
But who is Nonoska97? Who are his women? Nonoska97, in its simplicity of man, is a psychologically complex artist, his story is like his women, where mingle sweet and bitter, happiness and sadness, confidence in others and mistrust. Unconscious, complaints that in everyday life are kept quiet, come to life in his drawings: his macrocosm is packed into those leafs, and viewers find out and recompose the puzzle pieces.
All this, however, would not have had life without his curator and gallerist Eugenio Santoro, a "Marinetti's" style man (we walk the expression), which denounce and explains that art is not only in the academies and the works must not be enclosed and protected in museums, but experienced, hear, views. And what's better than a house, where to re-activate the five senses? He is the proud standard bearer of this innovation, the "home gallery" where artists can feel at home and where visitors can experience fully the spirituality of art. A kind of bauhaus, where art and technology mix and create themselves.
Returning to the first question, what is the contemporary art as the artist contributes to leave their mark, Nonoska97 with much humility shows us the way of his artistic and personal knowledge. Art is communication made of signs, gestures, of color and line of bic, showing that implication is made of the same substance of his creative hand.
12/10/2014
Chiara Giglio
(Reserved reproduction)
Comments 0
Say something