25 November 2021
uesday 30 November at 16.00 at the Italian Institute for Philosophical Studies in Naples the volume "Peregrini. Way to discover the cults, rites and rituals of the South ”published by Santelli Editore Milano by Giovanni Cardone The Volume is a collection of essays on the cults and myths of the South, coming from the most authoritative sources that have dealt with this theme. Cardone therefore acts as a guide on this multifaceted journey within the history and spiritual identity of the south of our beautiful country. The goal of the work is in fact to highlight and disseminate some of the most interesting aspects of southern culture. This is why the essays inside do not only tell the most famous phenomena, but also the lesser known ones. The reader is therefore led on a journey that stops in the most interesting geographical and symbolic places of Southern Italy. The most important aspect of the book is the encyclopedic breadth: it is a volume that brings together cults and rites from all over the South, each tradition is treated through a study and analysis of multiple aspects: historical, sociological, anthropological and so on. The scientific-informative story that develops in its pages therefore gives life to a unique text of its kind, totally absent in the Italian publishing panorama. The volume edited by Cardone is the result of extensive collaboration between the greatest essayists of the Italian academic and journalistic panorama, including the authoritative academic voices of Giuliana Albano, Giuseppe Michele Gala, Patrizia Manzo, Giorgio Otranto, Rosario Pinto and Marco Scarfiglieri. While on a journalistic level, names such as Salvatore and Marco Perillo stand out.
Biography of Giovanni Cardone
Essayist, Art Historian, Art Critic, Naples 1971 he studied at the Federico II University of Naples with the following professors: Aldo Masullo, Amalia Signorelli, Maria Antonietta Picone, Emilio Gentile and finally specialized with the Art historian Claudio Strinati. He is a lecturer at the History of Modern and Contemporary Art at university, academic and higher education institutions. He currently collaborates with the Institute of Sciences and Cultural Heritage National Research Center - C.N.R. He is the Artistic Director of the Encyclopedic Dictionary of the History of Modern and Contemporary Art at the Italian Swiss University. In 2014 he became Honorary Academic of the Swiss Italian University, while in 2015 he was awarded the Honoris Causa Degree in Art History at the Italian Swiss University, where he is a member of the Academic Senate. He has directed important public galleries of contemporary art and has carried out research and study activities in academic contexts and in university and higher education institutions. He collaborates with the Italian Institute for Philosophical Studies of Naples with the Diocesan Historical Archive of Naples, Cola d'Alagno Historical Studies Center and with MAV - Virtual Archaeological Museum of Herculaneum. Over time, he has produced historiographical and critical research on many historical-artistic themes, including: Painting and Sculpture of the early twentieth century and the second of the twentieth century, on the figure of Caravaggio and the Caravaggists in Naples including: Mattia Preti, Massimo Stanzione , Luca Giordano and Domenico Antonio Vaccaro. And in particular on the Vesuvian and Torre del Greco painting in the 17th - 18th centuries and on the painting and sculpture of the first and second centuries. Then I dedicated, however, a distinctly monographic interest to themes such as Visual Poetry, as well as to specific aspects of contemporary art such as Futurism, Surrealism, Hyperrealism, Abstractionism, Expressionism, Cubism, the relationship between Abstractionism and Futurism and the Magazines of the early twentieth century. Monographic research has dedicated to contexts and personalities of past centuries, in both university and higher education research contexts including: Massimo Stanzione, (seventeenth century), Luca Giordano (seventeenth century) Domenico Antonio Vaccaro (eighteenth century). Giacomo Balla (20th century), Gino Severini (20th century), Giorgio De Chirico (20th century) and Umberto Boccioni (20th century). He also dedicated specific interventions of critical-historiographic investigation to the movement of 'De Stijl' (20th century), to V. Kandinskij (20th century), Mondrian (19th century), Neoplasticism (20th century), La Sculpture of the second postwar period (20th century), An analysis on poor art (20th century), The Neapolitan avant-garde from Renato Barisani to Augusto Perez (20th century), Gillo Dorfles and Bruno Munari (20th century), MAC- Movimento Concrete Art (20th century). He is the author of numerous monographic volumes dedicated to personalities of contemporary art and has been the curator of numerous exhibitions, congresses and conferences. He has collaborated and still collaborates with numerous magazines and newspapers with articles and essays, historians and critics. He recently wrote Abstractionism and Futurism Ideas for a renewal of artistic research
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Biography of Giovanni Cardone
Essayist, Art Historian, Art Critic, Naples 1971 he studied at the Federico II University of Naples with the following professors: Aldo Masullo, Amalia Signorelli, Maria Antonietta Picone, Emilio Gentile and finally specialized with the Art historian Claudio Strinati. He is a lecturer at the History of Modern and Contemporary Art at university, academic and higher education institutions. He currently collaborates with the Institute of Sciences and Cultural Heritage National Research Center - C.N.R. He is the Artistic Director of the Encyclopedic Dictionary of the History of Modern and Contemporary Art at the Italian Swiss University. In 2014 he became Honorary Academic of the Swiss Italian University, while in 2015 he was awarded the Honoris Causa Degree in Art History at the Italian Swiss University, where he is a member of the Academic Senate. He has directed important public galleries of contemporary art and has carried out research and study activities in academic contexts and in university and higher education institutions. He collaborates with the Italian Institute for Philosophical Studies of Naples with the Diocesan Historical Archive of Naples, Cola d'Alagno Historical Studies Center and with MAV - Virtual Archaeological Museum of Herculaneum. Over time, he has produced historiographical and critical research on many historical-artistic themes, including: Painting and Sculpture of the early twentieth century and the second of the twentieth century, on the figure of Caravaggio and the Caravaggists in Naples including: Mattia Preti, Massimo Stanzione , Luca Giordano and Domenico Antonio Vaccaro. And in particular on the Vesuvian and Torre del Greco painting in the 17th - 18th centuries and on the painting and sculpture of the first and second centuries. Then I dedicated, however, a distinctly monographic interest to themes such as Visual Poetry, as well as to specific aspects of contemporary art such as Futurism, Surrealism, Hyperrealism, Abstractionism, Expressionism, Cubism, the relationship between Abstractionism and Futurism and the Magazines of the early twentieth century. Monographic research has dedicated to contexts and personalities of past centuries, in both university and higher education research contexts including: Massimo Stanzione, (seventeenth century), Luca Giordano (seventeenth century) Domenico Antonio Vaccaro (eighteenth century). Giacomo Balla (20th century), Gino Severini (20th century), Giorgio De Chirico (20th century) and Umberto Boccioni (20th century). He also dedicated specific interventions of critical-historiographic investigation to the movement of 'De Stijl' (20th century), to V. Kandinskij (20th century), Mondrian (19th century), Neoplasticism (20th century), La Sculpture of the second postwar period (20th century), An analysis on poor art (20th century), The Neapolitan avant-garde from Renato Barisani to Augusto Perez (20th century), Gillo Dorfles and Bruno Munari (20th century), MAC- Movimento Concrete Art (20th century). He is the author of numerous monographic volumes dedicated to personalities of contemporary art and has been the curator of numerous exhibitions, congresses and conferences. He has collaborated and still collaborates with numerous magazines and newspapers with articles and essays, historians and critics. He recently wrote Abstractionism and Futurism Ideas for a renewal of artistic research
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