Blublau Associazione Culturale, Saju Arredamenti, Alghero Resort Country Hotel, king’s Pub, Trattoria Al Refettorio, kò de kàp, Centroforme, Rete Mutui Italia, Cantina Piero Mancini, Magica Servizi Informatici, Sa Domo Manna,
Pinna Mobili.
"POUPEES" edited by Sonia Borsato and Mariolina
Cosseddu
from 13th to 27th February 2009
ARTISTS:
Enrico Piras
Stefano Serusi
Christine Meloni
Elijah Udassi
Roberta Filippelli
Gianni Nieddu
Pinuccia Marras
Silvia Mei
Opening: Saturday, February 13th 19.30
Art Cook: Daniela Giorico gourmet of the Kò de Kàp, will create a doll "to eat" ...
Wine Art: tasting by Piero Mancini's Cellar of Olbia
Exhibition hours: every day from 18.30 to 21.00 - Closed Monday
blublauerspazioarte via Morandi, 4 Alghero
3339843208 e-mail info blublauer@gmail.com
Mary Lai - the "childl" more famous of art - had expressed her point of view years ago: "the game is the art of children, art is the game of adults. Happiness born from the possibility of inventing life in poetic dimension. The game, as the art, has strict rules. "You will want to move to 'interior of these rules with the specific purpose of getting lost, a cathartic loss of reference points to let the truth emerge pressed in the fund to begin a game, a dialogue with old objects, ideally exhumed from old game baskets, to invent contemporary stories. The dolls - in the broad sense - bearers of a distant past but not forgotten, carrying an unconscious physical and collaborate with the artist in the creation of double hallucinations, fairy tales, broken down as sentences become endless and unsolvable anagrams that tells much more than legitimate and doubts creep in everyday life.
Sonia Borsato
"We have one a dead child inside of us, is the first thing that dies" is how Christian Boltanski stigmatizes the sense of loss that accompanies the existence of each and whose childhood is just one of the tragic events of the life cycle.
If the loss is irreversible, its counterpoint is the attention to negate or mitigate that failure through objects that celebrate the memory and keep alive the primitive condition we know that the practice of compensation as an instrument of accumulation and preservation of material crystallizes the unstoppable flow of time.
There are objects that, more than others, suffer from a surplus affective and emotional, that you upload, despite themselves, a story, speaking of stolen identity: the dolls are one of them.
Fetishes of the memory, connections between past and present, show "the subject in its reverse, in its most hidden side and least explored, so that to oxygenate 'interiority otherwise asphyxiated" (Bode).
Symbolic objects, therefore, fragile and unstable remnants of a dark area, they are ready to be invested with new meanings and further meaning imagination. Lifes full of stories and memories live in our ability to provide it with meaning, the love that you suffer from has been poured as a projection of themselves divided, are, perhaps, ultimately, a further challenge to exorcise death.
Mariolina Cosseddu
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