Exhibitions, Italy, Bologna, 18 May 2011
Pure energy flows from a heart unfolds like invisible tape, caressed by the wind in the works of Luciana
Ricci Aliotta. The color becomes the first principle of creation, is a color that seems to take indomitable
precedence over the artist's cognitive ability to engage in a panic to joy uncontainable fullness.
In fact, the game becomes clear when behind this apparent lightness you perceive the vision of a world
aware of the inseparability of joy and sorrow, and we understand that in order to move these mild and non-transformable
is the instinct but the intellect and conscious of refined Ricci Aliotta: sensitive artist, but profound, intelligent, and yet
free. A slow and silent meditation bring to choose carefully the spasmodic useful way to translate his
sense of art in a variety of means, not ever give up even before the trials
computer. It is as if, indeed, even for a moment, in this twenty-first century, the avant-garde art does not
was emptied of its contents, and, far from being sleepy, the art world as a result he found in works
of great beauty and essence. But not just flip the art is a visual translation of world relations
almost electric surrounding the inmost reality of the individual, which simplify the Being, in its entirety,
a naked body, a flower, an animal. The modern debate on energy approaches so easy to biological
of Creation. First principles are combined in meditation. Pairs of isolated individuals become rare and unique in
their loneliness, in the torment of emotion. It seems almost hear the breathing of these against the lovers become one
world. This breath, silent in that fake, he became energy, a heartbeat is still pure energy, so
sound, music, melody. This invisible force is translated into soft waves caressing, propel and sustain
the individual in his intimacy in the simplicity of his feelings, and almost gracefully appear to involve
in an approach to life. What surrounds us is not just background, is a reality, always alive,
sometimes even disturbing and painfully discovered. Luciana from the work on canvas and digital processes in that
substrate meditative and slow, the creation of a sudden, he gets a boost, accelerates the speed of thought,
heartbeat, the emotion. Deformation, stretching, digital alterations do not affect, in fact borne out
the pure essence of a personal artistic revolution made of melody
Ricci Aliotta. The color becomes the first principle of creation, is a color that seems to take indomitable
precedence over the artist's cognitive ability to engage in a panic to joy uncontainable fullness.
In fact, the game becomes clear when behind this apparent lightness you perceive the vision of a world
aware of the inseparability of joy and sorrow, and we understand that in order to move these mild and non-transformable
is the instinct but the intellect and conscious of refined Ricci Aliotta: sensitive artist, but profound, intelligent, and yet
free. A slow and silent meditation bring to choose carefully the spasmodic useful way to translate his
sense of art in a variety of means, not ever give up even before the trials
computer. It is as if, indeed, even for a moment, in this twenty-first century, the avant-garde art does not
was emptied of its contents, and, far from being sleepy, the art world as a result he found in works
of great beauty and essence. But not just flip the art is a visual translation of world relations
almost electric surrounding the inmost reality of the individual, which simplify the Being, in its entirety,
a naked body, a flower, an animal. The modern debate on energy approaches so easy to biological
of Creation. First principles are combined in meditation. Pairs of isolated individuals become rare and unique in
their loneliness, in the torment of emotion. It seems almost hear the breathing of these against the lovers become one
world. This breath, silent in that fake, he became energy, a heartbeat is still pure energy, so
sound, music, melody. This invisible force is translated into soft waves caressing, propel and sustain
the individual in his intimacy in the simplicity of his feelings, and almost gracefully appear to involve
in an approach to life. What surrounds us is not just background, is a reality, always alive,
sometimes even disturbing and painfully discovered. Luciana from the work on canvas and digital processes in that
substrate meditative and slow, the creation of a sudden, he gets a boost, accelerates the speed of thought,
heartbeat, the emotion. Deformation, stretching, digital alterations do not affect, in fact borne out
the pure essence of a personal artistic revolution made of melody
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