Exhibitions, Italy, Ascoli Piceno, San Benedetto del Tronto, 22 September 2013
On Sunday 22nd September, at 6 p.m. Marconi Gallery of Cupra Marittima and Marche Centro d'Arte present Noli me tangere, sole exposition by Giuseppe Biguzzi, one of the artists who won the second edition of the prize PREMIO ORA.
The exhibition, cured by Carolina Lio, author of the critical text too., can be visited till 19th October 2013 at Marconi Gallery, (c.so Vittorio Emanuele, 70 - Cupra Marittima). Biguzzi sole-exposition is one of the events organized by Marche Centro d’Arte which it puts alongside the contemporary Art Expò all the year long.
The PREMIO ORA was created to bring together galleries and artists, to offer them the real opportunity to realize a sole exposition.
"The subjects of Giuseppe Biguzzi are repeated and repeated, painted many times below, in a row in numerical order as in a careful and obsessive study. They are always young women rather meager in an attitude of closure, they turn of the shoulders, elbows curled up, in the act of embracing themselves, protecting in their obvious bones, a bit 'masculine.
They live in an obsessive discretion, avoiding to look and to show their eyes. They are a
demure version of Klimt's women and as Klimt's women they really exist, they are part of the artist's knowledge and lend themselves to being dissected and studied, they shyly accept being spied on and become the subject of art, even they evidently suffer this neutral and critical eye peering them. as an invasion. It is the withdrawal in themselves of a caged animal that cannot escape exposure to the public eye, so it turns its eyes to nowhere and closes its shapes in an illusion of privacy. But the model, always identified with a name and therefore portrait of a person as well as of an attitude, is seeking shelter from what? From sharp-eyed art? Or the person is seeking protection from the outside world? Or still the symbol of the person is seeking shelter from a society that steals her soul tearing to pieces what we allow her to know?
The fact that the bottom is always monochrome, suggests some answers. Without context, the human person is more a person and less a social actor. Detached from things, actions, environments and from his peers, he lives in a kind of abstraction, a suspension and deprivation. We can think of a voluntary isolation, but apparently melancholy from the fact that these bodies also reject the only contact that would be possible for them in this void, that is the viewer's gaze and the contact with the space outside the framework . (Carolina Lio)
Giuseppe Biguzzi - Noli me tangere
scheda tecnica/technical card
curatore/curator by Carolina Lio
testo critico/art critic by Carolina Lio
ufficio stampa/ press agent Dario Ciferri
traduzione di/translation by Patrizia Isidori
relazioni esterne e promozione delle attività/ external relationship and promotion of activities
Nikla Cingolani
fotografia/photography Stefano Capocasa
riprese video/video shooting Stefano Abbadini
allestimenti/preparation Marco Croci
webmaster
Siscom
Partner
Cocalo's Club
dal 22 settembre al 19 ottobre
from 22th september to 19th october
orario: lunedì-sabato dalle 16 alle 19.30
opening time: Mon-Sat 4 to 7.30 p.m.
info
Galleria Marconi di Franco Marconi
C.so Vittorio Emanuele, 70
63064 Cupra Marittima (AP)
tel 0735778703
e-mail galleriamarconi@vodafone.it
web http://www.siscom.it/marconi
blog http://galleriamarconicupra.blogspot.com/
Facebook http://www.facebook.com/galleriamarconi
The exhibition, cured by Carolina Lio, author of the critical text too., can be visited till 19th October 2013 at Marconi Gallery, (c.so Vittorio Emanuele, 70 - Cupra Marittima). Biguzzi sole-exposition is one of the events organized by Marche Centro d’Arte which it puts alongside the contemporary Art Expò all the year long.
The PREMIO ORA was created to bring together galleries and artists, to offer them the real opportunity to realize a sole exposition.
"The subjects of Giuseppe Biguzzi are repeated and repeated, painted many times below, in a row in numerical order as in a careful and obsessive study. They are always young women rather meager in an attitude of closure, they turn of the shoulders, elbows curled up, in the act of embracing themselves, protecting in their obvious bones, a bit 'masculine.
They live in an obsessive discretion, avoiding to look and to show their eyes. They are a
demure version of Klimt's women and as Klimt's women they really exist, they are part of the artist's knowledge and lend themselves to being dissected and studied, they shyly accept being spied on and become the subject of art, even they evidently suffer this neutral and critical eye peering them. as an invasion. It is the withdrawal in themselves of a caged animal that cannot escape exposure to the public eye, so it turns its eyes to nowhere and closes its shapes in an illusion of privacy. But the model, always identified with a name and therefore portrait of a person as well as of an attitude, is seeking shelter from what? From sharp-eyed art? Or the person is seeking protection from the outside world? Or still the symbol of the person is seeking shelter from a society that steals her soul tearing to pieces what we allow her to know?
The fact that the bottom is always monochrome, suggests some answers. Without context, the human person is more a person and less a social actor. Detached from things, actions, environments and from his peers, he lives in a kind of abstraction, a suspension and deprivation. We can think of a voluntary isolation, but apparently melancholy from the fact that these bodies also reject the only contact that would be possible for them in this void, that is the viewer's gaze and the contact with the space outside the framework . (Carolina Lio)
Giuseppe Biguzzi - Noli me tangere
scheda tecnica/technical card
curatore/curator by Carolina Lio
testo critico/art critic by Carolina Lio
ufficio stampa/ press agent Dario Ciferri
traduzione di/translation by Patrizia Isidori
relazioni esterne e promozione delle attività/ external relationship and promotion of activities
Nikla Cingolani
fotografia/photography Stefano Capocasa
riprese video/video shooting Stefano Abbadini
allestimenti/preparation Marco Croci
webmaster
Siscom
Partner
Cocalo's Club
dal 22 settembre al 19 ottobre
from 22th september to 19th october
orario: lunedì-sabato dalle 16 alle 19.30
opening time: Mon-Sat 4 to 7.30 p.m.
info
Galleria Marconi di Franco Marconi
C.so Vittorio Emanuele, 70
63064 Cupra Marittima (AP)
tel 0735778703
e-mail galleriamarconi@vodafone.it
web http://www.siscom.it/marconi
blog http://galleriamarconicupra.blogspot.com/
Facebook http://www.facebook.com/galleriamarconi
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