Exhibitions, Italy, Ascoli Piceno, San Benedetto del Tronto, 19 September 2010
Marconi Gallery of Cupra Marittima starts its exhibitions again. In fact the sole exposition piùmenoinfinito by Roberto Cicchiné will open on Sunday 19th September at 6.00 p.m. It starts the series Too Much (Marconi Gallery exagerates). The exposition, cured by Simonetta Angelini who is the author of the critical text too, is also the occasion to present and to inaugurate the renewed spaces of the Gallery.
“ The microhistory, what remains hanging in the memory, becomes a minimal sign. It' given through subtractions, tracks, lacks,, through bathed significant minute objects with evanescent contours like memories.
The sense path is pendular, between belonging and distance, between suspension and flowing, between intimacy and sharing.
The photographic language becomes nearly iconic, synthetic, it's “unspecified as only accuracy can be”, it goes on with a nearly mathematical clarity.
The art work can decline as an open work, sign of a sharing process among artist, his means of expression, curator, visitors. It becomes hypertext, a navigation map, leaving and arriving in order to activate one's thought, with a web surfer-like movement. Contemporary art and web seem to be similar: spred, plural, interactive, hybrid, polymorphic and polysemantic, connective. The work of the artist will be presented like an interface.
The new technologies and the multiplied visbility become instrumentum of sharing relationship, of sensory shift, of a reconversation of the sense, of displacement and transversality, of art work approachability everywhere and in any moment, of meaning extension, of contact.
The participation in the creative process, the mutual feedbacks between artist and visitors are possible trough a shared criticism, when the curator shares a relation and becomes hermeneut, “the one who carries out things”.
The critical thought belongs to everyone, it's plural, it is not imposed; it becomes a possible opinion, to be verified, to be discussed. Visitors have the possibility of thinking and leaving “aesthetic” traces through words and things.
The critical text will insert links and images,videos, music, film and heterogeneous sources extracts in its intervention, in order to suggest references and suggestions, nearly synergistic approaches to the artistic experience, in order to create new shared, common, plural and circular courses.
The aesthetic process is multimedia, multiple; a visitors voyage, activating relations and thinking, hybrid, withdrawing, producing a common sense. Against any one-sidedness”.
(Simonetta Angelini)
A new series for the sixteenth year of activity, in the renewed spaces of Marconi Gallery, but strongly roteed in its research course. All this would seem already Too much. But it cannot be sufficient. Our hope is to work still coherently, with our being willful and wanting to grow, always behind the times, capturing ideas and changes of our time. All this would seem Too much as well. There is neither arrogance nor immodesty but the 2010-2011 series is just entitled Too Much (Marconi Gallery exagerates), because in a world where there is the crisis that is involving million of people, where everyone of us is subjected to cuts and restrictions of the fundamental rights, we feel the desire to overflow, and not only physically.
scheda tecnica/technical card
curatore/curator by Simonetta Angelini
testo critico/art critic by Simonetta Angelini
ufficio stampa/ press agent Dario Ciferri
traduzione di/translation by Patrizia Isidori
relazioni esterne e promozione delle attività/ external relationship and promotion of activities Stefania Palanca
fotografia/photography Marco Biancucci©
riprese video/video shooting Stefano Abbadini
allestimenti/preparation Marco Croci
progetto grafico/graphic project maicol e mirco
webmaster www.siscom.it
dal 19 settembre al 17 ottobre
from 19th september to 17th October
orario: lunedì-sabato dalle 16 alle 20
opening time: Mon-Sat 4 to 8 p.m.
Galleria Marconi di Franco Marconi
C.so Vittorio Emanuele, 70
63012 Cupra Marittima (AP)
tel 0735778703
e-mail galleriamarconi@vodafone.it
web http://www.siscom.it/marconi
“ The microhistory, what remains hanging in the memory, becomes a minimal sign. It' given through subtractions, tracks, lacks,, through bathed significant minute objects with evanescent contours like memories.
The sense path is pendular, between belonging and distance, between suspension and flowing, between intimacy and sharing.
The photographic language becomes nearly iconic, synthetic, it's “unspecified as only accuracy can be”, it goes on with a nearly mathematical clarity.
The art work can decline as an open work, sign of a sharing process among artist, his means of expression, curator, visitors. It becomes hypertext, a navigation map, leaving and arriving in order to activate one's thought, with a web surfer-like movement. Contemporary art and web seem to be similar: spred, plural, interactive, hybrid, polymorphic and polysemantic, connective. The work of the artist will be presented like an interface.
The new technologies and the multiplied visbility become instrumentum of sharing relationship, of sensory shift, of a reconversation of the sense, of displacement and transversality, of art work approachability everywhere and in any moment, of meaning extension, of contact.
The participation in the creative process, the mutual feedbacks between artist and visitors are possible trough a shared criticism, when the curator shares a relation and becomes hermeneut, “the one who carries out things”.
The critical thought belongs to everyone, it's plural, it is not imposed; it becomes a possible opinion, to be verified, to be discussed. Visitors have the possibility of thinking and leaving “aesthetic” traces through words and things.
The critical text will insert links and images,videos, music, film and heterogeneous sources extracts in its intervention, in order to suggest references and suggestions, nearly synergistic approaches to the artistic experience, in order to create new shared, common, plural and circular courses.
The aesthetic process is multimedia, multiple; a visitors voyage, activating relations and thinking, hybrid, withdrawing, producing a common sense. Against any one-sidedness”.
(Simonetta Angelini)
A new series for the sixteenth year of activity, in the renewed spaces of Marconi Gallery, but strongly roteed in its research course. All this would seem already Too much. But it cannot be sufficient. Our hope is to work still coherently, with our being willful and wanting to grow, always behind the times, capturing ideas and changes of our time. All this would seem Too much as well. There is neither arrogance nor immodesty but the 2010-2011 series is just entitled Too Much (Marconi Gallery exagerates), because in a world where there is the crisis that is involving million of people, where everyone of us is subjected to cuts and restrictions of the fundamental rights, we feel the desire to overflow, and not only physically.
scheda tecnica/technical card
curatore/curator by Simonetta Angelini
testo critico/art critic by Simonetta Angelini
ufficio stampa/ press agent Dario Ciferri
traduzione di/translation by Patrizia Isidori
relazioni esterne e promozione delle attività/ external relationship and promotion of activities Stefania Palanca
fotografia/photography Marco Biancucci©
riprese video/video shooting Stefano Abbadini
allestimenti/preparation Marco Croci
progetto grafico/graphic project maicol e mirco
webmaster www.siscom.it
dal 19 settembre al 17 ottobre
from 19th september to 17th October
orario: lunedì-sabato dalle 16 alle 20
opening time: Mon-Sat 4 to 8 p.m.
Galleria Marconi di Franco Marconi
C.so Vittorio Emanuele, 70
63012 Cupra Marittima (AP)
tel 0735778703
e-mail galleriamarconi@vodafone.it
web http://www.siscom.it/marconi
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