criticism of  MIRIAM VIDELA
Critical texts, Italy, Milano, 30 September 2012
With proper palette turns to the viewer magic light where colors diluted down with a transparent sap loses its tonal intensity. The presence of green rigid is furious noting the sense that determine a work where the circumstances are compelling in their walk reveals critical determinant configuration of any work that attempts to transcend the "reason". Today the notion of future is limited to the difficulty, which is short and restricts contemplation reinstall, making sure that the image does not succumb to the interpretation, permitting deployment margin calculated murmurings optimistic, going deliberately, ie accepting the influences, the resource of irony, that makes us tolerable indulgence unknown Proposes Videla investigate these strong colors so many questions, we must process through art, politics, economics, and different questions that the world is in the present continuous struggles under irreconcilable antagonisms sign have been constant throughout the world. His work speaks with temporality and condense in the space of his works. Where the artist shows binary opposites: the open and the closed, the one and the many. : Identity and Otherness, oppression and freedom a dialectic of opposites where the artist seeks playful eyes of the beholder.
The lines marked with a chiaroscuro shadows highly variable describing other minimalist with particular colors synthetism. Highlights in images of rare charm. Plastic is its great value. Moves fainter, more important, highlighting shaded areas with warm
  In the green intermittently, sometimes absent, or very present at the suggestion, she organizes a living in perpetual transformation shown sensual, dynamic utopian.

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