Founded in 1995, the Gwuangju Biennial, is the oldest and most important Asian show. The theme chosen by the Italian curator wants to be a careful consideration of the relation that occurs between audience and images and vice-versa. Nowadays very powerful in our daily life, on the mass-media, in our dreams, visual inputs can become a real obsession, a phenomenon that the show wants to analyse and catalogue as a sort of “imaginative museum”, quoting André Malraux.
The title recalls the unfinished epic poem of the writer, poet and painter Ko Un, a monumental work with an ancient flavour, but recently published, written in the early 80’s, initially throughout a long period of detention caused by his involvement in the battle for human rights.
More than a hundred artists will take place at the kermesse. Among them the Israeli artist Keren Cytter – in conversation with Marinella Paderni during OPERE/works – Hito Steyerl – a key figure of on biennials/TUTTO SULLE BIENNALI – and the Italians Maurizio Cattelan, Franco Vaccari and Roberto Cuoghi.
http://www.festivalartecontemporanea.it
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